Haydn
Franz Joseph Haydn (March 31, 1732 â May 31, 1809) was one of the most prominent composers of the classical period, and is called by some the "Father of the Symphony" and "Father of the String Quartet".
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
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Total 226 sheet(s) found, listing between 200 - 220.
Song | Added By | Pages | Instruments | Sheet Type | File |
A Theme From Interview With the Vampire |
DonJuan (1)
5059d ago
|
4 | Piano | Original | |
Andante theme from Surprise Symphony |
igbokwe (6)
5060d ago
|
1 | Piano | Book | |
Concerto in D major |
cheval (5)
5070d ago
|
41 | Piano | Original | |
Cello Concerto in C (Cello Solo Part) |
Rodrigus (4)
5072d ago
|
10 | Cello | Original | |
Deutschland Hymne |
Geivolo (1)
5079d ago
|
1 | Violin | Transcription | |
trio |
marcimarc (2)
5086d ago
|
15 | Piano, Cello, Flute | Original | |
Cello Concerto Major |
zhuey (4)
5090d ago
|
47 | Cello | Original | |
Cello Concerto |
zhuey (4)
5090d ago
|
47 | Cello | Original | |
lestat's sonata |
candycandy (14)
5094d ago
|
3 | Piano | Original | |
Passacaglia |
stellanindya (1)
5096d ago
|
4 | Piano | Transcription | |
Concerto for Trumpet |
Scotticism101 (1)
5099d ago
|
20 | Piano, Trumpet | Original | |
piano sonata no 9 in f |
dankar (1)
5109d ago
|
2 | Piano | Original | |
cello concerto do mayor |
charza (1)
5114d ago
|
47 | Piano, Cello | Original | |
sonata in C major |
eddie90 (5)
5119d ago
|
8 | Piano | Original | |
Trumpet Concerto in Eb Major |
blake2hunter (2)
5132d ago
|
6 | Trumpet | Original | |
Concerto in E-flat |
thepowerofdonut (1)
5138d ago
|
10 | Piano, Trumpet | Transcription | |
trumpet concerto |
afroman9898 (22)
5149d ago
|
5 | Trumpet | Original | |
string quartet |
enak (25)
5164d ago
|
3 | Cello, Violin, Viola | Original | |
sonata in C major |
derek (14)
5165d ago
|
4 | Piano | Transcription | |
Menuet no.6 |
mirza (101)
5173d ago
|
1 | Piano | Original |