Astor Piazzolla
Ãstor Pantaleón Piazzolla (March 11, 1921 â July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
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Total 1763 sheet(s) found, listing between 100 - 120.
Song | Added By | Pages | Instruments | Sheet Type | File |
buenos aires hora cero |
iranbs (3)
4653d ago
|
10 | Cello, Violin, Viola | Transcription | |
yo soy maria |
iranbs (3)
4653d ago
|
10 | Cello, Violin, Vocal, Viola | Transcription | |
12 etudes de virtuozité |
haspeter (5)
4653d ago
|
26 | Accordion | Book | |
Adios Nonino - Bari sax |
cabralbruno10 (4)
4654d ago
|
3 | Saxophone | Other | |
Adios Nonino -Alto Sax |
cabralbruno10 (4)
4654d ago
|
5 | Saxophone | Other | |
Best of Bob Marley and the Wailers |
joelcruz (8)
4654d ago
|
120 | Piano | Original | |
The flight of the bumble bee |
DOOB (1)
4655d ago
|
7 | Piano, Clarinet | Original | |
Angel |
nhe2013 (1)
4655d ago
|
8 | Piano | Original | |
tears in heaven |
brucekemp103 (13)
4656d ago
|
1 | Saxophone | Transcription | |
Pigmalion |
josepensenyat (3)
4657d ago
|
2 | Piano | Transcription | |
Ausencias |
josepensenyat (3)
4657d ago
|
2 | Piano | Transcription | |
La Muerte del Angel |
josepensenyat (3)
4657d ago
|
2 | Piano | Transcription | |
i aIN'T Got You |
vonlouie10 (6)
4658d ago
|
0 | Guitar | Tab | |
Ave Maria |
tiamduncan (4)
4658d ago
|
5 | Piano, Viola | Transcription | |
Recuerdo New York |
riguto (30)
4660d ago
|
4 | Piano, Saxophone | Transcription | |
Wonderful Tonight |
aslch (138)
4660d ago
|
8 | Piano, Guitar, Vocal | Original | |
Libertango |
alhammy (6)
4660d ago
|
2 | Guitar | Transcription | |
Primavera Portena |
gordonka (3)
4661d ago
|
36 | Piano, Guitar, Violin, Bass, Accordion | Original | |
Oblivion piano version |
pijanistkinja93 (4)
4663d ago
|
5 | Piano | Transcription | |
Close your eyes and listen |
LUC41 (39)
4664d ago
|
2 | Saxophone | Transcription |