Giovanni Battista Pergolesi
Giovanni Battista Pergolesi (4 January 1710 – 16 to 17 March 1736) was an Italian composer, violinist and organist.
Born at Jesi, Pergolesi studied music there under a local musician, Francesco Santini, before going to Naples in 1725, where he studied under Gaetano Greco and Francesco Feo among others. He spent most of his brief life working for aristocratic patrons like the Colonna principe di Stigliano, and duca Marzio IV Maddaloni Carafa.Pergolesi was one of the most important early composers of opera buffa (comic opera). His opera seria, Il prigionier superbo, contained the two act buffa intermezzo, La Serva Padrona (The Servant Mistress, August 28, 1733), which became a very popular work in its own right. When it was performed in Paris in 1752, it prompted the so-called Querelle des Bouffons ("quarrel of the comedians") between supporters of serious French opera by the likes of Jean-Baptiste Lully and Jean-Philippe Rameau and supporters of new Italian comic opera. Pergolesi was held up as a model of the Italian style during this quarrel, which divided Paris's musical community for two years.
Born at Jesi, Pergolesi studied music there under a local musician, Francesco Santini, before going to Naples in 1725, where he studied under Gaetano Greco and Francesco Feo among others. He spent most of his brief life working for aristocratic patrons like the Colonna principe di Stigliano, and duca Marzio IV Maddaloni Carafa.Pergolesi was one of the most important early composers of opera buffa (comic opera). His opera seria, Il prigionier superbo, contained the two act buffa intermezzo, La Serva Padrona (The Servant Mistress, August 28, 1733), which became a very popular work in its own right. When it was performed in Paris in 1752, it prompted the so-called Querelle des Bouffons ("quarrel of the comedians") between supporters of serious French opera by the likes of Jean-Baptiste Lully and Jean-Philippe Rameau and supporters of new Italian comic opera. Pergolesi was held up as a model of the Italian style during this quarrel, which divided Paris's musical community for two years.
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Total 75 sheet(s) found, listing between 20 - 40.
Song | Added By | Pages | Instruments | Sheet Type | File |
Stabat mater |
cortrpt (68)
4803d ago
|
1 | Trumpet | Transcription | |
Stabat mater (Score) |
cortrpt (68)
4803d ago
|
4 | Trumpet, Organ | Transcription | |
Vidit Suum dulcem natum |
Nyva (1)
4809d ago
|
3 | Vocal | Other | |
Sabat Mater |
dupadupa55 (4)
4812d ago
|
5 | Piano, Vocal | Original | |
Stabat mater |
Berlioz83 (1)
4813d ago
|
34 | Piano, Vocal | Original | |
Se tu m'ami |
andreaperini (56)
4818d ago
|
4 | Piano, Vocal | Original | |
bella mia |
Danbear (12)
4819d ago
|
5 | Vocal | Transcription | |
Stabat Mater |
Titadrupah (5)
4830d ago
|
37 | Piano, Violin, Vocal | Transcription | |
stabat alt aria |
grapellii (69)
4831d ago
|
5 | Cello, Violin, Vocal, Viola | Original | |
Sinfonia |
dasmodul (57)
4835d ago
|
8 | Cello, Violin, Viola | Original | |
Vidit suum, dulcem natum |
thecolfox (1)
4841d ago
|
2 | Piano, Vocal | Book | |
Stabat Mater |
icengel27 (20)
4841d ago
|
34 | Piano, Vocal | Book | |
Arie Antiche Vol II Parisotti |
icengel27 (20)
4841d ago
|
126 | Piano, Vocal | Book | |
Stizzoso Mio Stizzoso |
its_me_ellen (3)
4846d ago
|
9 | Piano, Vocal | Other | |
Sinfonia per Violoncello e Continuo |
AmonDei (4)
4848d ago
|
7 | Piano, Cello | Original | |
Se Tu M'mai |
MessieMe (1)
4852d ago
|
4 | Piano, Vocal | Original | |
Stabat Mater |
rudigeld (4)
4852d ago
|
75 | Piano, Vocal | Original | |
Se Tu M'ami |
rtroberts (1)
4859d ago
|
4 | Piano, Vocal | Original | |
Serpina |
lacry (11)
4859d ago
|
6 | Piano, Vocal | Original | |
Siciliano |
Boti (11)
4862d ago
|
1 | Trumpet | Other |